A month ago when I was scheduling posts for my blog, I didn’t think that some of these posts were necessarily related. But now after publishing the last two, I can see that there’s a back bone joining them all together.
Here are the posts I’m talking about:
Connecting the ‘Why’ and the ‘How’. (Process/vision through to execution of a project)
Training our Creativity. (Exercises for our inspiration)

© Heber Vega 2012 | Photograph part of the story of the last Kurdish antique cleaner.
Next I want to explore the ideas of challenge and collaborative work, and how they can benefit us as photographers. When I say ‘challenge’, I am talking about activities that take us out of our comfort zones, that introduce us to a different way of creating. For ‘collaborative work’, I’d include any type of activity where we exchange ideas and work along other artists in the process of creating a project. I’m going to explore these subjects a bit deeper and have some examples that we can apply in our work.
The important thing to remember here, is that challenges & collaborations are an important element in the growth of artists, and without them our talent and skills are not going to reach their full potential.
Challenge: “a task or situation that tests someone’s abilities.”
Last year, while working on the ONE-SHOT workshop, I remember talking to Erin Wilson about how much I like the adrenaline that comes with assignment work. I love the challenge, although it doesn’t feel that great in the moment. Every time I get hired for a specific task as photographer, I like the feeling of making things happen within certain limitations, like time, funds, circumstances, etc. The reason? They have made me a more creative photographer in the process, and have allowed me to explore new things that have become valuable for my work, but that I’d never have discovered otherwise. It’s a journey of personal discovery; there’s so much inside of us that we don’t tap into for various reasons, including fear. Taking on challenges gives us a reason to face the fear. Lastly, constrains are always good if you make them work for you, just keep that in mind.
Here is a list of challenges that can make you a better photographer and that I have experienced myself. These activities have really enriched my work.
1. Limit your gear. Use your cellphone camera or your iPhone for this project. Or use your DSLR, but with only one lens at one focal length. Explore how you see the world at that perspective; go out and shoot for a couple days to really explore the limitation. Whatever happens, don’t add more gear. Just keep shooting.
2. Take a pro-bono assignment. Find a non-profit that identifies with your values and offer to work for a couple of weeks, or for a specific project. Better yet, don’t bring your camera at the beginning, listen to them carefully, and then create a project that could help them promote their cause. To make this effective, give yourself time restrictions.
Let’s say you will do this assignment in x number of days but no longer than that. Treat it as if it’s a paid assignment with a deadline.
3. Step into multimedia. Create a project where you will build with more elements than just your photography. Start with audio. Take the time to record people, ambient sound, etc. Perhaps music? Where can you collaborate with some musician and create something unique for your work? What about putting together a whole website for that project, with interactive materials, then finding some good designers interested in something like that? What about video? Read some basic information about video and storytelling and then give it a shot. Nothing to lose, and so much to gain in the process.
4. Write a column. Find someone who might be interested in publishing a story of yours, and pitch a story. Complement your photography with a longer article that explains the context of your images. Try to work either with another writer, to proof-read your work or better yet, a real editor. You’ll see how they can cut to the chase quickly.
5. Explore another culture for a photography project. Save some money and then go to a distant location where people don’t speak your language, live in a different culture and where you don’t have any expertise at all. This is the closest thing to being reborn. I’m telling you, you become a baby again, and it’s ridiculous how you have to depend on other people to carry out a project in a place like that. But that challenge, and the desire to understand with eyes and ears open to new experiences, beside making you a better photographer, will make a better person.
In my next post I will talk more about collaborative work, and how that can benefit our photography. In the meantime if you want to add another suggestion for a challenge that has improved your craft, please feel free to add them on the comments. And if you take up one of the challenges listed here, please leave a link so we can follow your progress. Thanks.
